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When listening to a reference track, it’s vital that we match the perceived loudness of our mix to the reference track. Time is money, and a faster workflow means a faster turnaround time on our mixes! So let’s look at 3 of the popular reference track utilities on the market, compare their advantages and disadvantages, and see if we can help you make up your mind on which one is right for you.īefore we do though, a quick note on level matching when referencing. Even though we can do this ourselves in our DAW, the use of a 3rd party utility is about simplifying our workflow. This is why several 3rd party utilities make sense for playing reference tracks in your DAW, at least until DAW developers begin creating stock utilities that match the function of the 3rd party options. I don’t want any channels on the screen that I don’t need to focus on in the mix. Sure, you can hide it, but if you’re a visual thinker like myself you may forget it’s there altogether if you do! For someone like me, out of sight means out of existence! Leaving it visible can bug me though. Never mind the fact that it can take space on your screen as you dedicate a visible channel to holding a reference track. You’ll also need to volume match the reference track to your mix manually, which takes time and can be tedious. You’ll need to ensure your reference track bypasses all plugins on your 2 bus, which means you’ll need to consider how the reference track is being routed to the output. Just import your reference track into your DAW, and play it soloed when you need to refresh your perspective. If you use a calibration system, like ARC 2.5 or Sonarworks, you should play your reference tracks through your DAW to ensure the reference track is being represented accurately. This can be complicated if you don’t have a systemwide calibration system, meaning iTunes may not work for your reference needs.
Where are the audio files in magic ab plugin software#
However, if you’re using room or headphone calibration software you’ll need to route your reference track through that software in order to get an accurate picture of what’s happening.
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Some will simply leave iTunes open with a loaded playlist of the songs they use as reference tracks for certain genres. The playback method matters little, as long as the reference is passing through your monitoring system. Top mixers throughout the industry use reference tracks to keep them objective through their mixes. Resonances may jump out at you in your mix that weren’t apparent before. After listening to a reference track, you may notice that your own mix is lacking in the low end or in the punchiness of the drums. Using reference tracks helps you to hit reset on that process by exposing your ears to a sonic palate that is different than what you’ve been exposed to for hours. Problem areas or frequency imbalances may not jump out at you as easily as they might have if your ears were fresh. If you’ve been listening to your mix for hours, your ears are getting used to the frequencies you’re hearing.
When you listen to a reference track, you get a chance to reset your ears. Reference tracks can be a valuable tool for keeping an objective viewpoint while mixing.